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・ Linda Simensky
・ Linda Singer
・ Linda Sini
・ Linda Skitka
・ Linda Skugge
・ Linda Sloan
・ Linda Slocum
・ Linda Smircich
・ Linda Smith
・ Linda Smith (American politician)
・ Linda Smith (comedian)
・ Linda Smith (novelist)
・ Linda Smith's A Brief History of Timewasting
・ Linda Smyth
・ Linda Sole
Linda Solomon
・ Linda Somers
・ Linda Sorenson
・ Linda Spa
・ Linda Spalding
・ Linda Spevacek
・ Linda St. Clair
・ Linda Stahl
・ Linda Staudt
・ Linda Stein
・ Linda Stein (artist)
・ Linda Steiner
・ Linda Stender
・ Linda Stephens
・ Linda Stern Zisquit


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Linda Solomon : ウィキペディア英語版
Linda Solomon

'Linda Solomon (born May 10, 1937, Boston, Massachusetts) is an American music critic and editor. Although she has written about various aspects of popular culture, her main focus has been on folk music, blues, R&B, jazz and country music. Living at 95 Christopher Street in Greenwich Village during the early 1960s, she became a columnist for ''The Village Voice'', capturing Village night life in club reviews for the weekly "Riffs" column.
("The Bet" ) is a memoir by Ted White describing Harlan Ellison, Linda Solomon and others involved in a curious incident at 95 Christopher in 1960. White wrote:
:That summer Harlan found his own apartment -- three doors up the street, in a building with an elevator. And he met a woman, Linda Solomon, who also lived in the same building. Linda would go on to a career of her own in writing and editing, but that was mostly ahead of her in 1960. Linda had a small but well-selected record collection, containing a goodly amount of jazz.
A dispute over the bandleader on one record in Solomon's collection prompted Ellison to bet his entire record collection against a single album in White's collection.
Ellison also mentioned her briefly in his memoir "Memos From Purgatory."
==Reviews==
She began doing record reviews in the early 1960s. Her ''Village Voice'' review of ''The Freewheelin' Bob Dylan'' (1963) has been quoted in several books, including David Hajdu's ''Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña '' (Farrar, Straus and Giroux, 2001):
:He stands outside his problems and writes a credo for people to live by. The emotional understatement in his voice emphasizes the power of his lyics and his genuine concern for the state of the world.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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